Sunday, 25 March 2018

Your Own First Sketchcrawl


If you’ve taken the time to stop by and look at the blog, there’s a good chance you’re at least interested by the idea of urban sketching. It may be that you’ve never thought about it before, but would like to give it a try. In which case, here’s a few observations which I hope might prove helpful to you.

·       When you start , you’ve got the choice of whether you join an Urban Sketchers group and start on an organised sketchcrawl, or whether you go solo to start wih, then see if you like it enough to want to join a group.

Both options have their advantages. We’ll look at them separately now.

Join an Urban Sketchers Group

If there’s an Urban Sketchers group near you they will organise regular sketchcrawls, and will welcome you with open arms. I know of the best part of 20 chapters in England, for example, although most of them are centred in the cities.

You might feel nervous about joining a group, but don’t worry. Everyone in the group was once in your position. You might feel a little happier if I tell you this: -

·       Urban Sketching Groups consist of a huge range of diverse people. Don’t worry that you won’t fit in because of your age, gender, race, educational or social background. The only thing that links the members of a particular sketchers group is that they all want to sketch. That’s all you need.

·       Members of a given Urban Sketching group can also range from complete novices to accomplished artists. Your level of ability or skill is totally unimportant. Nobody will judge you or your work. Everyone will be supportive.

·       Nobody is likely to force advice on you, but it will be available if you ask, for example – “I love what you did there, how did you do it? “

·       Nobody will give you a hard time if you have to miss a sketchcrawl for whatever reason.

You can probably see, I’m a big fan of Urban Sketching groups and organised group sketchcrawls. I wish I’d have had the sense to find and join the South Wales group while I was just starting urban sketching 18 months ago. If you’re wondering what’s involved in a group sketchcrawl, well, let me give the example of the typical South Wales monthly sketchcrawl.

Each sketchcrawl usually starts in the discussion we have at the end of the previous one. Ideas for possible venues are discussed, and if possible a consensus is reached. Then later on the group administrator on Facebook will post the venue for the coming month, giving members as much notice as possible. So far this year’s three sketchcrawls have taken place in different venues in Cardiff. Members are asked to indicate whether they can make it or not.

On the day, we gather at the venue at a specific time. I was a little nervous my first time, but it was easy to identify the group, and once I’d made introductions it was plain sailing. Once everyone has arrived who are going to arrive, then a time to meet back up is agreed upon, usually between 2 and 3 hours. After that, you go and find something to sketch. When you’ve finished, then you pick something else. In practice this means that at times you’ll be sketching by yourself, and at other times sketching alongside another group member.

At the agreed time, then you all meet up, and take turns to discuss your sketching day, and show what you’ve done. I love these sessions.

Now, I do understand that actually showing your sketches to someone else is a problem for some people when they start out. After the first time you take part, it really won’t be any more.

Still, you may well think that you don’t really want to start off with a group crawl. Maybe the ‘show and tell’ aspect is too much of a mental hurdle for you. In which case, there’s nothing stopping you undertaking your own sketchcrawl.

Go solo on your own sketchcrawl

I like group sketching, but a solo crawl is usually a very enjoyable experience as well. As a rough rule of thumb I like to have a specific venue in mind, rather than just setting off hopefully in one direction and following my nose.

If it’s your first sketchcrawl, I’d advise you to pick somewhere which is not that far away, but far away enough that you’re not going to have to worry about being seen and stopped by people you know. Ideally, pick a place that you wouldn’t mind spending a few hours in, so the success of the trip isn’t just riding on the sketching.

The axiom among sketchers is – if you don’t need it, then don’t take it. Even now I don’t carry more than two sketchbooks – A4 and A5 – a pack of 4 sketching pens, an HB pencil and sharpener, a small set of watercolours, a small waterbottle and a brush. An A5 sketchpad and a pencil or sketching pen is enough a lot of the time. If you’ve already got these, then use what you have rather than buying new. There will be time for that once you discover you enjoy it. Even fairly basic equipment can bring you good results, although as with anything else, better quality equipment s usually more expensive.

It can help you get the most out of your sketchcrawl if you set yourself a challenge or a target before you set out. On my last few sketchcrawls I’ve set myself the target of filling a double page spread in my A4 sketchbook. When you’re making your first sketchcrawl, making two complete sketches is a useful target, and you’ll feel a sense of achievement when you reach it – and an even greater sense of achievement when you exceed your target.

For me, the solo sketchcrawl starts the moment that I leave the house, and everything is fair game for sketching from that point. So my most recent sketchcrawl, where I ended up making a round trip of slightly more than 40 miles, actually began with me sketching a lovely old car from the 1950s which was parked just 4 streets away from my house. Was that fair? Of course it was! Part of my trip was noticing the car, which was a pretty unusual thing to see.

When you arrive at your destination, you might want to have a bit of a walk round to see what you might like to sketch. Outdoors or indoors, building, object, person or people, the choice is yours. Ideally, something that conveys a sense of that particular time in that particular place, but this isn’t something to worry too much about. Usually that comes with the territory. Once you’ve selected what you’re going to sketch, pick your vantage point – which angle you want to create your sketch from. Sometimes this may be a bit of a compromise between the angle you want, and the spot where you can be most comfortable. I can sketch standing up, but would rather sit down if it’s an option. Have a think about how you’re going to feel if people start looking at you, or your sketch as you’re making it. It’s only natural to feel a bit self-conscious, but this should soon fade. If you show that you’re not bothered by just getting on with it, then most people will not bother you. If you smile, show what you’ve done, and maybe exchange a few pleasantries, then in my experience people respond very pleasantly. Actually this is one aspect of sketching in public that I really enjoy.

So, on that first sketchcrawl, when you’ve finished your first sketch – congratulations! Your sketchcrawl is already a success, regardless of how accomplished your sketch is, or whether you choose to make any other sketches. Make sure to reward yourself. I like a cappuccino, but hey, whatever works for you. Maybe you could make another sketch while you’re enjoying your coffee.

I wouldn’t look too critically at your sketches at this point – wait until you get home, and you’re more likely to be objective about them. There’s no hard and fast rules about how long your sketchcrawl should last. Once you’re happy that you’ve spent long enough, then go.

When the crawl is over, you might want to have a look your sketches a little more critically. Don’t rp them to shreds obviously, but just think about whether you’d do anything differently , and try to put it into practice on your next trip. The Urban Sketching Manifesto explicitly states –“we share our drawings online’ and this is something I’d encourage you to do after your very first crawl. If you don’t like the response, if any, that you get, then you never have to do it again, but chances are the response that you get will show you that there is honestly nothing to be shy or worried about. Whatever else you do, please don't be tempted to destroy or throw away your sketches. If your first sketch you ever made on a sketchcrawl was as good as you were ever going to make, then there wouldn't be all that much of a point in doing it. Put them away if you want, but you will always be able to look back on them, to measure how far you've come. Remember that these sketches are the start of your journey , not the finish. 

Atfer that , well, ask yourself – did you enjoy it? Hopefully the answer will be yes. In which case maybe you can start planning your next sketchcrawl, or even better, start thinking about joining your nearest group.

Vale of Glamorgan - 24th March

The plan was to post these yesterday just after the car. Family business intervened - sorry about that. So yes, even after kicking off with the previous sketch I posted of the old Austin car, which was just 4 streets away - even after that I did get as far as the Vale of Glamorgan.

Why the Vale of Glamorgan? Well, this time last year I was suffering from clinical depression. Actually saying it like that gives the idea that I'm cured. I'm not free of it yet - maybe I never will be. Still, back then I was off work and trying to come to terms with it. Now, at least, I'm still in work, and trying to keep myself on an even keel for most of the time. So, anyway, with weeks of free time that I've never had since I started work 30 years ago, I took to taking some days out, going for drives to places I'd never been before, getting fresh air, and trying to make sense of things. One of the places I went was Llantwit, and it struck me as rather a nice little town, still laid out on its narrow and winding medieval street plan.

I started off with this page in my book.

As usual, my scanner hasn't quite picked out the colours accurately, but there we are. The largest building to the right is the 15th century Town Hall. There's a free car park behind it - always an appreciated facility on a sketchcrawl.

Time was getting on, and my stomach was rumbling. I was pleased with the car sketch and this one as a morning's effort, so I got back in the car and headed back towards the A48. However, as I was going, a few miles down the road I saw a heritage sign advertising the presence of a 12th century Prior Church not far off. Thinking that this might well be a good way of bringing the sketchcrawl to a conclusion, I turned off the main road, and a couple of minutes later came to Ewenny Priory.

I was tempted to go inside the church, which was open, but then I find it very easy to spend a good hour nosing around a church, and so I decided to save that for another day.

This illustrates something about one of the things I really like when I'm sketching. I like planning an expedition. I like working out where I want to go , and how and when I'm going to do it. But I love just noticing something, which I never knew was there in the first place, and sketching it there and then.

Catching Up . . .

Been a while, hasn't it?  Don't worry, I haven't given up sketching. No, I just haven't got round to posting anything. Now, ...