This Saturday - 24th August - saw the monthly South Wales Urban Sketchers Group sketchcrawl, this time to the Rhondda Heritage Park. I wasn't able to make the April, May and June sketchcrawls, and was in Alicante at the time of the July meeting. So it was really nice that I was able to make this one.
The Rhondda Heritage Park is situated in what used to be the Lewis Merthyr Colliery. I had a pretty good feeling that this was going to appeal to me even though I have never visited before, since I love industrial architecture and machinery, and I wasn't disappointed. Here are the three sketches I made during the crawl:-
Experiences of an urban sketcher based in South Wales - does exactly what it says on the tin. All images in this blog are copyright, and may not be used or reproduced without my permission. If you'd like an original, a print, or to use them in some other fashion, then email me at londinius@yahoo.co.uk.
Showing posts with label sketchcrawl. Show all posts
Showing posts with label sketchcrawl. Show all posts
Tuesday, 27 August 2019
Sunday, 8 July 2018
One Sketch #105) St. John's Church, Cardiff - South Wakes Urban Sketchers Monthly Sketch Crawl
No Gothic revival this
It never went away.
And as it nears its millennium
Still it looks down
and down
And sees
All is well.
Yes, today was the July sketchcrawl of the South Wales Urban Sketchers chapter - Cardiff again, but this time a Sunday rather than a Saturday. This time we each of us stayed outdoors, in and around the Hayes area. This is the only direct watercolour I made, but I did make some ink sketches - here they are: -
This is a bear from Cardiff Castle's famous animal wall. I enjoyed sketching it, and wanted to do more, but I was standing up and the sun was beating down on my bald spot.
I broke the habit of a lifetime, and asked this chap if he didn't mind me sketching him. He couldn't really refuse - I'd just put some money in his bag. Very good he was too - a selection of Dire Straits' hits, which always goes down well with me.
The Hayes Island snack bar.
The Old library - our meeting place. It contains shops, and a museum, and a café, which was closed, so we had our post morten session alfresco today.
It never went away.
And as it nears its millennium
Still it looks down
and down
And sees
All is well.
Yes, today was the July sketchcrawl of the South Wales Urban Sketchers chapter - Cardiff again, but this time a Sunday rather than a Saturday. This time we each of us stayed outdoors, in and around the Hayes area. This is the only direct watercolour I made, but I did make some ink sketches - here they are: -
This is a bear from Cardiff Castle's famous animal wall. I enjoyed sketching it, and wanted to do more, but I was standing up and the sun was beating down on my bald spot.
I broke the habit of a lifetime, and asked this chap if he didn't mind me sketching him. He couldn't really refuse - I'd just put some money in his bag. Very good he was too - a selection of Dire Straits' hits, which always goes down well with me.
The Hayes Island snack bar.
The Old library - our meeting place. It contains shops, and a museum, and a café, which was closed, so we had our post morten session alfresco today.
Saturday, 23 June 2018
One Sketch #90 #30x30DirectWatercolour2018 Swansea Marina
I'm blue,
Dabadee dabadoo
So are you, you and you
(in this sketch anyway)
This is a momentous picture - not so much because of any inherent quality, but because it is the 30th direct watercolour I've made in June, which means I passed the 30x30 challenge! Yeah! I had about 20 minutes of the South Wales Urban Sketchers Group sketchcrawl in Swansea Marina today, and just suddenly hit upon the idea of making this sketch of the tug Canning and surroundings in shades of blue. I think it was a serendipidous choice - I rather like this.
Dabadee dabadoo
So are you, you and you
(in this sketch anyway)
This is a momentous picture - not so much because of any inherent quality, but because it is the 30th direct watercolour I've made in June, which means I passed the 30x30 challenge! Yeah! I had about 20 minutes of the South Wales Urban Sketchers Group sketchcrawl in Swansea Marina today, and just suddenly hit upon the idea of making this sketch of the tug Canning and surroundings in shades of blue. I think it was a serendipidous choice - I rather like this.
Saturday, 12 May 2018
One Sketch #48) Insole Court
Built on the sweat of the many
For the comfort of the few
Now, a free pleasure for all.
(Apart from the cappuccino
Which is bloody expensive)
Today was monthly sketchcrawl day with the South Wales Urban Sketchers chapter. Insole Court was also the venue for the February sketchcrawl which was the only one I've had to miss this year. Lovely place if you like this kind of sprawling, heavy Victorian Gothic revival architecture. Even if you don't, the grounds are well worth a look.
I thoroughly enjoyed this, not least because about half a dozen people all came up for a look while I was making the watercolour sketch above, and were very complimentary. My ego needs all the boosting it can get.
Saturday, 31 March 2018
One sketch #6 Porthcawl
I set off in hope rather than expectation today. It struck me first thing this morning that I have never yet sketched in Porthcawl, which is the nearest genuine seaside resort town to home. This is what I came up with:-
The Grand Pavilion, on the left of the sketch, is probably Porthcawl's most renowned building. Some of its architecture reminds me of the old Wembley Stadium, which is hardly surprising since they were pretty much contemporaries from the Art Deco period.
I didn't previously know the sculpture on the right, but I recognised it as the work of Sebastien Boyesen straightaway. The semi circular base is reminiscent of his 'mortal coil' which stands in the centre of Port Talbot where I live.
Difficult coming up with a verse, but this whimsical nonsense occurred to me:-
Seahorse, seahorse, don't you stop
Just let your flippers go flippety flop
Got no back legs, got no hips
Think I'd rather cod and chips.
Look, I never claimed to be Shakespeare, did I?
The Grand Pavilion, on the left of the sketch, is probably Porthcawl's most renowned building. Some of its architecture reminds me of the old Wembley Stadium, which is hardly surprising since they were pretty much contemporaries from the Art Deco period.
I didn't previously know the sculpture on the right, but I recognised it as the work of Sebastien Boyesen straightaway. The semi circular base is reminiscent of his 'mortal coil' which stands in the centre of Port Talbot where I live.
Difficult coming up with a verse, but this whimsical nonsense occurred to me:-
Seahorse, seahorse, don't you stop
Just let your flippers go flippety flop
Got no back legs, got no hips
Think I'd rather cod and chips.
Look, I never claimed to be Shakespeare, did I?
Sunday, 25 March 2018
Your Own First Sketchcrawl
If you’ve taken the time to stop by
and look at the blog, there’s a good chance you’re at least interested by the
idea of urban sketching. It may be that you’ve never thought about it before,
but would like to give it a try. In which case, here’s a few observations which
I hope might prove helpful to you.
· When you start , you’ve got the
choice of whether you join an Urban Sketchers group and start on an organised
sketchcrawl, or whether you go solo to start wih, then see if you like it
enough to want to join a group.
Both options have their advantages.
We’ll look at them separately now.
Join an Urban Sketchers Group
If there’s an Urban Sketchers group
near you they will organise regular sketchcrawls, and will welcome you with
open arms. I know of the best part of 20 chapters in England, for example,
although most of them are centred in the cities.
You might feel nervous about joining
a group, but don’t worry. Everyone in the group was once in your position. You
might feel a little happier if I tell you this: -
· Urban Sketching Groups consist of a
huge range of diverse people. Don’t worry that you won’t fit in because of your
age, gender, race, educational or social background. The only thing that links the
members of a particular sketchers group is that they all want to sketch. That’s
all you need.
· Members of a given Urban Sketching
group can also range from complete novices to accomplished artists. Your level
of ability or skill is totally unimportant. Nobody will judge you or your work.
Everyone will be supportive.
· Nobody is likely to force advice on
you, but it will be available if you ask, for example – “I love what you did
there, how did you do it? “
· Nobody will give you a hard time if
you have to miss a sketchcrawl for whatever reason.
You can probably see, I’m a big fan
of Urban Sketching groups and organised group sketchcrawls. I wish I’d have had
the sense to find and join the South Wales group while I was just starting
urban sketching 18 months ago. If you’re wondering what’s involved in a group sketchcrawl,
well, let me give the example of the typical South Wales monthly sketchcrawl.
Each sketchcrawl usually starts in
the discussion we have at the end of the previous one. Ideas for possible
venues are discussed, and if possible a consensus is reached. Then later on the
group administrator on Facebook will post the venue for the coming month,
giving members as much notice as possible. So far this year’s three sketchcrawls
have taken place in different venues in Cardiff. Members are asked to indicate
whether they can make it or not.
On the day, we gather at the venue at
a specific time. I was a little nervous my first time, but it was easy to
identify the group, and once I’d made introductions it was plain sailing. Once
everyone has arrived who are going to arrive, then a time to meet back up is agreed
upon, usually between 2 and 3 hours. After that, you go and find something to
sketch. When you’ve finished, then you pick something else. In practice this
means that at times you’ll be sketching by yourself, and at other times
sketching alongside another group member.
At the agreed time, then you all meet
up, and take turns to discuss your sketching day, and show what you’ve done. I
love these sessions.
Now, I do understand that actually
showing your sketches to someone else is a problem for some people when they
start out. After the first time you take part, it really won’t be any more.
Still, you may well think that you
don’t really want to start off with a group crawl. Maybe the ‘show and tell’
aspect is too much of a mental hurdle for you. In which case, there’s nothing
stopping you undertaking your own sketchcrawl.
Go solo on your own sketchcrawl
I like group sketching, but a solo
crawl is usually a very enjoyable experience as well. As a rough rule of thumb
I like to have a specific venue in mind, rather than just setting off hopefully
in one direction and following my nose.
If it’s your first sketchcrawl, I’d
advise you to pick somewhere which is not that far away, but far away enough that
you’re not going to have to worry about being seen and stopped by people you
know. Ideally, pick a place that you wouldn’t mind spending a few hours in, so
the success of the trip isn’t just riding on the sketching.
The axiom among sketchers is – if you
don’t need it, then don’t take it. Even now I don’t carry more than two
sketchbooks – A4 and A5 – a pack of 4 sketching pens, an HB pencil and
sharpener, a small set of watercolours, a small waterbottle and a brush. An A5
sketchpad and a pencil or sketching pen is enough a lot of the time. If you’ve
already got these, then use what you have rather than buying new. There will be
time for that once you discover you enjoy it. Even fairly basic equipment can
bring you good results, although as with anything else, better quality
equipment s usually more expensive.
It can help you get the most out of your
sketchcrawl if you set yourself a challenge or a target before you set out. On
my last few sketchcrawls I’ve set myself the target of filling a double page
spread in my A4 sketchbook. When you’re making your first sketchcrawl, making
two complete sketches is a useful target, and you’ll feel a sense of
achievement when you reach it – and an even greater sense of achievement when you
exceed your target.
For me, the solo sketchcrawl starts
the moment that I leave the house, and everything is fair game for sketching from
that point. So my most recent sketchcrawl, where I ended up making a round trip
of slightly more than 40 miles, actually began with me sketching a lovely old
car from the 1950s which was parked just 4 streets away from my house. Was that
fair? Of course it was! Part of my trip was noticing the car, which was a
pretty unusual thing to see.
When you arrive at your destination,
you might want to have a bit of a walk round to see what you might like to
sketch. Outdoors or indoors, building, object, person or people, the choice is
yours. Ideally, something that conveys a sense of that particular time in that
particular place, but this isn’t something to worry too much about. Usually
that comes with the territory. Once you’ve selected what you’re going to
sketch, pick your vantage point – which angle you want to create your sketch
from. Sometimes this may be a bit of a compromise between the angle you want,
and the spot where you can be most comfortable. I can sketch standing up, but
would rather sit down if it’s an option. Have a think about how you’re going to
feel if people start looking at you, or your sketch as you’re making it. It’s
only natural to feel a bit self-conscious, but this should soon fade. If you
show that you’re not bothered by just getting on with it, then most people will
not bother you. If you smile, show what you’ve done, and maybe exchange a few
pleasantries, then in my experience people respond very pleasantly. Actually
this is one aspect of sketching in public that I really enjoy.
So, on that first sketchcrawl, when
you’ve finished your first sketch – congratulations! Your sketchcrawl is
already a success, regardless of how accomplished your sketch is, or whether
you choose to make any other sketches. Make sure to reward yourself. I like a
cappuccino, but hey, whatever works for you. Maybe you could make another
sketch while you’re enjoying your coffee.
I wouldn’t look too critically at
your sketches at this point – wait until you get home, and you’re more likely
to be objective about them. There’s no hard and fast rules about how long your
sketchcrawl should last. Once you’re happy that you’ve spent long enough, then
go.
When the crawl is over, you might
want to have a look your sketches a little more critically. Don’t rp them to
shreds obviously, but just think about whether you’d do anything differently ,
and try to put it into practice on your next trip. The Urban Sketching
Manifesto explicitly states –“we share our drawings online’ and this is
something I’d encourage you to do after your very first crawl. If you don’t
like the response, if any, that you get, then you never have to do it again,
but chances are the response that you get will show you that there is honestly
nothing to be shy or worried about. Whatever else you do, please don't be tempted to destroy or throw away your sketches. If your first sketch you ever made on a sketchcrawl was as good as you were ever going to make, then there wouldn't be all that much of a point in doing it. Put them away if you want, but you will always be able to look back on them, to measure how far you've come. Remember that these sketches are the start of your journey , not the finish.
Atfer that , well, ask yourself – did
you enjoy it? Hopefully the answer will be yes. In which case maybe you can
start planning your next sketchcrawl, or even better, start thinking about
joining your nearest group.
Vale of Glamorgan - 24th March
The plan was to post these yesterday just after the car. Family business intervened - sorry about that. So yes, even after kicking off with the previous sketch I posted of the old Austin car, which was just 4 streets away - even after that I did get as far as the Vale of Glamorgan.
Why the Vale of Glamorgan? Well, this time last year I was suffering from clinical depression. Actually saying it like that gives the idea that I'm cured. I'm not free of it yet - maybe I never will be. Still, back then I was off work and trying to come to terms with it. Now, at least, I'm still in work, and trying to keep myself on an even keel for most of the time. So, anyway, with weeks of free time that I've never had since I started work 30 years ago, I took to taking some days out, going for drives to places I'd never been before, getting fresh air, and trying to make sense of things. One of the places I went was Llantwit, and it struck me as rather a nice little town, still laid out on its narrow and winding medieval street plan.
I started off with this page in my book.
As usual, my scanner hasn't quite picked out the colours accurately, but there we are. The largest building to the right is the 15th century Town Hall. There's a free car park behind it - always an appreciated facility on a sketchcrawl.
Time was getting on, and my stomach was rumbling. I was pleased with the car sketch and this one as a morning's effort, so I got back in the car and headed back towards the A48. However, as I was going, a few miles down the road I saw a heritage sign advertising the presence of a 12th century Prior Church not far off. Thinking that this might well be a good way of bringing the sketchcrawl to a conclusion, I turned off the main road, and a couple of minutes later came to Ewenny Priory.
I was tempted to go inside the church, which was open, but then I find it very easy to spend a good hour nosing around a church, and so I decided to save that for another day.
This illustrates something about one of the things I really like when I'm sketching. I like planning an expedition. I like working out where I want to go , and how and when I'm going to do it. But I love just noticing something, which I never knew was there in the first place, and sketching it there and then.
Why the Vale of Glamorgan? Well, this time last year I was suffering from clinical depression. Actually saying it like that gives the idea that I'm cured. I'm not free of it yet - maybe I never will be. Still, back then I was off work and trying to come to terms with it. Now, at least, I'm still in work, and trying to keep myself on an even keel for most of the time. So, anyway, with weeks of free time that I've never had since I started work 30 years ago, I took to taking some days out, going for drives to places I'd never been before, getting fresh air, and trying to make sense of things. One of the places I went was Llantwit, and it struck me as rather a nice little town, still laid out on its narrow and winding medieval street plan.
I started off with this page in my book.
As usual, my scanner hasn't quite picked out the colours accurately, but there we are. The largest building to the right is the 15th century Town Hall. There's a free car park behind it - always an appreciated facility on a sketchcrawl.
Time was getting on, and my stomach was rumbling. I was pleased with the car sketch and this one as a morning's effort, so I got back in the car and headed back towards the A48. However, as I was going, a few miles down the road I saw a heritage sign advertising the presence of a 12th century Prior Church not far off. Thinking that this might well be a good way of bringing the sketchcrawl to a conclusion, I turned off the main road, and a couple of minutes later came to Ewenny Priory.
I was tempted to go inside the church, which was open, but then I find it very easy to spend a good hour nosing around a church, and so I decided to save that for another day.
This illustrates something about one of the things I really like when I'm sketching. I like planning an expedition. I like working out where I want to go , and how and when I'm going to do it. But I love just noticing something, which I never knew was there in the first place, and sketching it there and then.
Saturday, 24 March 2018
Now there's a turn up
A free Saturday - well, free after my daughter picked up my grandson at 11:30 - is the best opportunity of the week to set off on a sketchcrawl. Preferably one of the South Wales Sketchers group monthly sketchcrawls, but otherwise a solo effort.
This month's group crawl was a fortnight ago, and so I set out on my own today. The objective was the beautiful Vale of Glamorgan, not far away from me by car. The engine was not even warmed up, and I was only 4 streets away when I saw a beautiful old 1950s Austin car parked up. This was too good to miss. I parked relatively close, whipped book and pens out of my bag, and got cracking.
I very rarely sketch inside my car. For one thing you have to sit in the passenger seat, and there's not a great deal of room for everything. Also, in a way it felt a little bit artificial. Not that I would have wanted to stand outside and make the sketch standing up by my car.
Did I actually get to the Vale of Glamorgan today after that? Watch this space.
This month's group crawl was a fortnight ago, and so I set out on my own today. The objective was the beautiful Vale of Glamorgan, not far away from me by car. The engine was not even warmed up, and I was only 4 streets away when I saw a beautiful old 1950s Austin car parked up. This was too good to miss. I parked relatively close, whipped book and pens out of my bag, and got cracking.
I very rarely sketch inside my car. For one thing you have to sit in the passenger seat, and there's not a great deal of room for everything. Also, in a way it felt a little bit artificial. Not that I would have wanted to stand outside and make the sketch standing up by my car.
Did I actually get to the Vale of Glamorgan today after that? Watch this space.
Saturday, 10 March 2018
Urban Sketchers South Wales Chapter: March Monthly Sketchcrawl
I'm a member of the South Wales Urban Sketching chapter, and every month this year we've held a sketchcrawl. So far each venue has been in Cardiff, although we have definite plans to hold one in Swansea in the near future. In January we sketched in the National Museum of Wales. This was my first sketchcrawl, and I only managed two sketches. Since then I've been working hard to develop both my speed and my style.
In February the chapter met for a sketchcrawl at Insole Court in Cardiff. I was picking my wife up from the airport on the same day, so was unable to make this one. However, I have been sketching every weekend, and quite extensively during a week off from work.
Last week we were scheduled to meet in the Cornerstone Café and Art Gallery in Whitchurch Road Cardiff. One of our own, a highly talented artist called Gary Yeung, from Hong Kong, who travels extensively sketching, has his work on exhibition there, so it made for a suitable venue. The snow last week forced us to postpone until today.
Only three of us made it. Still, this didn't dampen our enthusiasm at all. I produced several sketches across a two page spread -
Counting the vase and pictures as two separate sketches, that makes a total of 6, which is what I was aiming for, and I'm quite pleased with the way that I've merged the sketches on the top page.
I loved the sketching - I always love sketching, but in particular it's the post mortem which is the best part of the whole thing. If you've never been to a sketchcrawl yourself, the way it works is that you meet at the chosen venue, agree on a time, and then basically off you go and get sketching. Then, at the agreed time you meet back up, and basically show and tell. It's just the best thing, and really invaluable for getting tips from others, advice and encouragement. I'm looking forward to April and just hoping that the date doesn't clash with when I'm abroad.
In February the chapter met for a sketchcrawl at Insole Court in Cardiff. I was picking my wife up from the airport on the same day, so was unable to make this one. However, I have been sketching every weekend, and quite extensively during a week off from work.
Last week we were scheduled to meet in the Cornerstone Café and Art Gallery in Whitchurch Road Cardiff. One of our own, a highly talented artist called Gary Yeung, from Hong Kong, who travels extensively sketching, has his work on exhibition there, so it made for a suitable venue. The snow last week forced us to postpone until today.
Only three of us made it. Still, this didn't dampen our enthusiasm at all. I produced several sketches across a two page spread -
![]() |
| top page - the counter (monochrome) - two line and wash views through the front windows, and a monochrome sketch of a customer head and shoulders |
![]() |
| bottom page - the gallery - a nice vase of flowers and two of Gary's pictures. |
Counting the vase and pictures as two separate sketches, that makes a total of 6, which is what I was aiming for, and I'm quite pleased with the way that I've merged the sketches on the top page.
I loved the sketching - I always love sketching, but in particular it's the post mortem which is the best part of the whole thing. If you've never been to a sketchcrawl yourself, the way it works is that you meet at the chosen venue, agree on a time, and then basically off you go and get sketching. Then, at the agreed time you meet back up, and basically show and tell. It's just the best thing, and really invaluable for getting tips from others, advice and encouragement. I'm looking forward to April and just hoping that the date doesn't clash with when I'm abroad.
Sunday, 4 March 2018
Cancelled Sketchcrawl
Yes, it's a shame, but South Wales along with many other parts of the UK was hit by unseasonal blizzards last week, and so the transport situation to Cardiff yesterday was still rather dodgy. So the South Wales Urban Sketchers chapter cancelled our scheduled monthly sketchcrawl in the Cornerstone café. It's a shame, but it's one of those things, and definitely the most sensible decision under the circumstances.
Still, it wasn't too difficult to get into Swansea, and I made this sketch of one of my favourite derelict buildings - the Palace Theatre. This is actually a listed building - it's one of very few original music halls left in the UK.
I've been urban sketching since August 2016, although I've always sketched, and while you can always improve, I'm not that unhappy with my line drawing with an ink pen. However, I've always struggled with colour. It's probably fair to say that water colour has not been my medium in the past. Still, I'm very aware that adding watercolour washes can really enhance a sketch, so I have been trying to improve by metaphorically puling myself up by my own bootlaces.
In particular I went back to Marc Taro Holmes' book "The Urban Sketcher"and I tried to use his -tea - milk - honey method of applying successive washes to this sketch. It's not perfect by any stretch of the imagination, but it's certainly a step along the way to where I'd like to be with it. If you compare it with a sketch I made of Kidwelly Castle less than a year ago, you can see what I mean: -
I made it with the same small travel set of watercolours, but it looks pale and washed out, even though I did try to paint in some of the detail on the stonework. If anything it seems to shrink back into the page, while yesterday's sketch seems to come forward out of the page. I do admit that the picture above is a scan. Mind you, my scanner for some reason does struggle to pick out blues. That's why the sky looks so patchy.
The sketchcrawl at the Cornerstone Café has been rescheduled for next Saturday. Watch this space.
Still, it wasn't too difficult to get into Swansea, and I made this sketch of one of my favourite derelict buildings - the Palace Theatre. This is actually a listed building - it's one of very few original music halls left in the UK.
I've been urban sketching since August 2016, although I've always sketched, and while you can always improve, I'm not that unhappy with my line drawing with an ink pen. However, I've always struggled with colour. It's probably fair to say that water colour has not been my medium in the past. Still, I'm very aware that adding watercolour washes can really enhance a sketch, so I have been trying to improve by metaphorically puling myself up by my own bootlaces.
In particular I went back to Marc Taro Holmes' book "The Urban Sketcher"and I tried to use his -tea - milk - honey method of applying successive washes to this sketch. It's not perfect by any stretch of the imagination, but it's certainly a step along the way to where I'd like to be with it. If you compare it with a sketch I made of Kidwelly Castle less than a year ago, you can see what I mean: -
I made it with the same small travel set of watercolours, but it looks pale and washed out, even though I did try to paint in some of the detail on the stonework. If anything it seems to shrink back into the page, while yesterday's sketch seems to come forward out of the page. I do admit that the picture above is a scan. Mind you, my scanner for some reason does struggle to pick out blues. That's why the sky looks so patchy.
The sketchcrawl at the Cornerstone Café has been rescheduled for next Saturday. Watch this space.
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