One sketch #6 Porthcawl

I set off in hope rather than expectation today. It struck me first thing this morning that I have never yet sketched in Porthcawl, which is the nearest genuine seaside resort town to home. This is what I came up with:-

The Grand Pavilion, on the left of the sketch, is probably Porthcawl's most renowned building. Some of its architecture reminds me of the old Wembley Stadium, which is hardly surprising since they were pretty much contemporaries from the Art Deco period.

I didn't previously know the sculpture on the right, but I recognised it as the work of Sebastien Boyesen straightaway. The semi circular base is reminiscent of his 'mortal coil' which stands in the centre of Port Talbot where I live.

Difficult coming up with a verse, but this whimsical nonsense occurred to me:-

Seahorse, seahorse, don't you stop
Just let your flippers go flippety flop
Got no back legs, got no hips
Think I'd rather cod and chips.

Look, I never claimed to be Shakespeare, did I?

One Sketch #5 : Gower Heritage Centre

Today was the first day of the Easter Holidays from work (school). In a celebratory mood, I agreed when daughter number 3 rang up and suggested we take my granddaughter out for the day. We quickly recruited daughter number 2, and decided upon this, the Gower Heritage Centre.

The heritage centre is part museum, part working mill, part sort f rustic theme park. Mary and I used to take all of the kids there when they were all still kids, and we usually had a good time. I'm pretty pleased with the sketch that I've made here. On the left we have the entrance to the centre, then in the foreground a cockerel, whom daughter number three was rather scared to approach. The tractor is disabled, and it's there for the kids to play on, and my granddaughter duly did that.

I'm glad that I've been a wee bit bolder with colour here, since I'm still really trying to find my way with line and wash, and often my painted sketches tend to look washed out and pale.

I liked this sketch too much to spoil it with my rubbishy verse, but I have got one to accompany it, you'll probably be none too excited to hear.

Chickens are mean
I've never been keen
On these vicious and brutal
Egg laying machines
They can scare
with a stare
Which turns weaker hearts green
There's just no denying it
Chickens are mean.

Sorry chickens. Well, sorryish.

One Sketch #4: The World's Worst Phone

So today I had my last day in work until after the Easter Holidays. Yay! Nobody was hoe when I got back, so I settled down , made a cappuccino, and picked up a book. Then the phone rang. Now, that's a problem.

You see, our phone is awful. Oh, don't get me wrong, it looks great : -

It's a modern phone styled after an old American payphone from, I guess the 40s/50s. And when we first had it, it was fine. Over the years, though, it has become terrible. It is impossible to get through a call without having to apologise to the caller for having to continually ask them to repeat themselves because what they have said has been completely obscured by a crackle, a squeal, or any one of a bewildering variety of noises.

What made it worse today was that when I could finally make out what the caller was saying, he turned out to be a cold caller. A few years ago I took to telling them that I was the cat whenever a cold caller chanced his/her arm.
For example: -
Caller: Hello. I vant do speeek do Missis . . . .
Me: Missis . . . . not here. Did Mrs. . . . 's cat. My neem is Hero. I like feesh. Do you have feesh? I like meelk. Do you have meelk? : -
- and then every time they spoke I would mention another thing I liked and ask them for it. If you got as far as chicken, they were never going to hang up. Funnily enough, after the first time I did it we didn't have another nuisance call for weeks.

Well, anyway, here's today's verse
Compared to its crackles
Squeaks and squealing
Silence is rather
More appealing.

One Sketch - Day Three - Hero the Cat

So, I come in from work on the penultimate day before the Easter break, and both of my cats are in the front room, sitting in the sunshine. Now, one cat loves me and will do almost anything to ingratiate himself with me. For the other, though, I am nothing more than a purveyor of food. I sit down for five minutes, and he looks down his white nose at me, staring at me with a look that says - so you're going to sit there all afternoon, are you? - Never mind that I have been on the go for 9 hours with at most a ten minute break in between, and that my poor feet are absolutely aching, and that I'm also starving hungry myself. Hero stares at me, begrudging me every second of repose. So I get my revenge by sketching him here: -

and writing this verse, which I am sure is what is going through his head: -

I laze around the live long day
And with your cares I'll take no truck.
Monarch, I, of all you survey
- So go and get my tea, you schmuck.

One Sketch Day Two: School Shoes

Yes, today I decided to sketch my school shoes.

Why? What's the story? Well, basically, because today has been an incredibly busy day, when I've found myself schlepping around the school pretty much non-stop, from 7:15 when I arrived, to about 4:15 when I left. I would love to have had some way of calculating just how many miles I put in today.

It's one of the things about having moved to the new school, that it's just so much bigger than the old one. In the old school, I could walk from one end to the other, between the furthest two points, in about 3 minutes. Now, in the fabulous new building we have, I'm up hill and down dalelike a yoyo. Now, I'm not complaining. By this stage of the year in the last academic year, I was already off work with depression. And the great thing about today was that I did get a lot of things done which needed to be done today.

However, it can't be denied that when I finally arrived home, and took my comfortable if somewhat battered old brogues off, those dogs were barking, to use the vernacular.

Today's doggerel: -

Oh battered shoes
Upon my feet
By 4 o'clock
Smell none too sweet

One Sketch A Day

Have you seen the most recent post on Liz Steel’s blog? I don’t know if you follow Liz’ blog, but it’s very good, and well worth your time. In her most recent post she asked about how easy people find it to sketch every day. The answer to which, in my case, is not very easy at all.  

On reflection, I think that I found it easier when I had a specific goal or purpose, as with the recent One Week 100 people 2018 challenge. Trawling round the net, as I am wont to do when I have an ideal moment, I’ve found a number of people who have undertaken to produce one sketch (at least) every day for a whole year, reflecting their year’s journey. Hmm – says I – that’s a good idea. And being as there’s no time like the present, I decided to start today. 

To be fair, I didn’t really find much of an opportunity until about 5pm this evening. In my day job I’m a teacher – not Art, I add, since I have no qualifications in the subject. Today we had a Parents’ Consultation evening. I had large gaps between my appointments, and so I used a couple of them to make this sketch. 

This is the new charger for my Surface Pro computer. The school in which I taught for several decades was recently amalgamated with 2 others in a brand new school. Part of our embracing the future has been that each teacher has been given the use of a Surface Pro. The way it was presented to us was – this is yours until such time as you leave the school – use it as if it’s your own. (Within reason. I would imagine that, if you’re a devotee of the seamier side of the internet, it’s probably a good idea not to go there with your school Surface) To be fair, mine has become pretty well travelled, being much lighter and smaller than my laptop. It’s travelled with me to Belgium, Spain, Czech Republic, Germany and Hungary just in the last two years.  This is actually a very powerful wee machine, and there are many pros to using one in class.

However –

Although the battery can keep it going for hours, it still needs charging. And the chargers are fiddly little buggers. Back before Christmas I accidentally shut the business end of mine in the car door. I went to see the technician, who said that he could order a new charger, but it would take weeks before I got it. Now, even allowing for the fact that I could charge it up in the staff room, where would that leave me at the weekend? So, I decided that it was my own fault for shutting it in the car door, and went on Amazon (other online retailers are available) and ordered an official Microsoft replacement.

An official Microsoft replacement which cost the best part of £30 and packed in last week, after about 4 months of work. This one was not caught in the car door, or mistreated in any way. You can maybe understand how I wasn’t so eager to buy a replacement this time. But. . . the fact is that I needs the machine. So this time I bought a cheap(er) and cheerful generic charger for about a third of the price. This is it. I used it today, and it worked for today. So, fingers crossed . . .  

I also decided to try to write a little verse – let’s not call it poetry – to accompany each sketch. This one is: -  

O Surface charger,

I hope you’ll go

Far longer than

Your expensive bro.  

(I was going to do some of Dylan Thomas’ stuff, but then he never does any of mine.)

Your Own First Sketchcrawl

If you’ve taken the time to stop by and look at the blog, there’s a good chance you’re at least interested by the idea of urban sketching. It may be that you’ve never thought about it before, but would like to give it a try. In which case, here’s a few observations which I hope might prove helpful to you.

·       When you start , you’ve got the choice of whether you join an Urban Sketchers group and start on an organised sketchcrawl, or whether you go solo to start wih, then see if you like it enough to want to join a group.

Both options have their advantages. We’ll look at them separately now.

Join an Urban Sketchers Group

If there’s an Urban Sketchers group near you they will organise regular sketchcrawls, and will welcome you with open arms. I know of the best part of 20 chapters in England, for example, although most of them are centred in the cities.

You might feel nervous about joining a group, but don’t worry. Everyone in the group was once in your position. You might feel a little happier if I tell you this: -

·       Urban Sketching Groups consist of a huge range of diverse people. Don’t worry that you won’t fit in because of your age, gender, race, educational or social background. The only thing that links the members of a particular sketchers group is that they all want to sketch. That’s all you need.

·       Members of a given Urban Sketching group can also range from complete novices to accomplished artists. Your level of ability or skill is totally unimportant. Nobody will judge you or your work. Everyone will be supportive.

·       Nobody is likely to force advice on you, but it will be available if you ask, for example – “I love what you did there, how did you do it? “

·       Nobody will give you a hard time if you have to miss a sketchcrawl for whatever reason.

You can probably see, I’m a big fan of Urban Sketching groups and organised group sketchcrawls. I wish I’d have had the sense to find and join the South Wales group while I was just starting urban sketching 18 months ago. If you’re wondering what’s involved in a group sketchcrawl, well, let me give the example of the typical South Wales monthly sketchcrawl.

Each sketchcrawl usually starts in the discussion we have at the end of the previous one. Ideas for possible venues are discussed, and if possible a consensus is reached. Then later on the group administrator on Facebook will post the venue for the coming month, giving members as much notice as possible. So far this year’s three sketchcrawls have taken place in different venues in Cardiff. Members are asked to indicate whether they can make it or not.

On the day, we gather at the venue at a specific time. I was a little nervous my first time, but it was easy to identify the group, and once I’d made introductions it was plain sailing. Once everyone has arrived who are going to arrive, then a time to meet back up is agreed upon, usually between 2 and 3 hours. After that, you go and find something to sketch. When you’ve finished, then you pick something else. In practice this means that at times you’ll be sketching by yourself, and at other times sketching alongside another group member.

At the agreed time, then you all meet up, and take turns to discuss your sketching day, and show what you’ve done. I love these sessions.

Now, I do understand that actually showing your sketches to someone else is a problem for some people when they start out. After the first time you take part, it really won’t be any more.

Still, you may well think that you don’t really want to start off with a group crawl. Maybe the ‘show and tell’ aspect is too much of a mental hurdle for you. In which case, there’s nothing stopping you undertaking your own sketchcrawl.

Go solo on your own sketchcrawl

I like group sketching, but a solo crawl is usually a very enjoyable experience as well. As a rough rule of thumb I like to have a specific venue in mind, rather than just setting off hopefully in one direction and following my nose.

If it’s your first sketchcrawl, I’d advise you to pick somewhere which is not that far away, but far away enough that you’re not going to have to worry about being seen and stopped by people you know. Ideally, pick a place that you wouldn’t mind spending a few hours in, so the success of the trip isn’t just riding on the sketching.

The axiom among sketchers is – if you don’t need it, then don’t take it. Even now I don’t carry more than two sketchbooks – A4 and A5 – a pack of 4 sketching pens, an HB pencil and sharpener, a small set of watercolours, a small waterbottle and a brush. An A5 sketchpad and a pencil or sketching pen is enough a lot of the time. If you’ve already got these, then use what you have rather than buying new. There will be time for that once you discover you enjoy it. Even fairly basic equipment can bring you good results, although as with anything else, better quality equipment s usually more expensive.

It can help you get the most out of your sketchcrawl if you set yourself a challenge or a target before you set out. On my last few sketchcrawls I’ve set myself the target of filling a double page spread in my A4 sketchbook. When you’re making your first sketchcrawl, making two complete sketches is a useful target, and you’ll feel a sense of achievement when you reach it – and an even greater sense of achievement when you exceed your target.

For me, the solo sketchcrawl starts the moment that I leave the house, and everything is fair game for sketching from that point. So my most recent sketchcrawl, where I ended up making a round trip of slightly more than 40 miles, actually began with me sketching a lovely old car from the 1950s which was parked just 4 streets away from my house. Was that fair? Of course it was! Part of my trip was noticing the car, which was a pretty unusual thing to see.

When you arrive at your destination, you might want to have a bit of a walk round to see what you might like to sketch. Outdoors or indoors, building, object, person or people, the choice is yours. Ideally, something that conveys a sense of that particular time in that particular place, but this isn’t something to worry too much about. Usually that comes with the territory. Once you’ve selected what you’re going to sketch, pick your vantage point – which angle you want to create your sketch from. Sometimes this may be a bit of a compromise between the angle you want, and the spot where you can be most comfortable. I can sketch standing up, but would rather sit down if it’s an option. Have a think about how you’re going to feel if people start looking at you, or your sketch as you’re making it. It’s only natural to feel a bit self-conscious, but this should soon fade. If you show that you’re not bothered by just getting on with it, then most people will not bother you. If you smile, show what you’ve done, and maybe exchange a few pleasantries, then in my experience people respond very pleasantly. Actually this is one aspect of sketching in public that I really enjoy.

So, on that first sketchcrawl, when you’ve finished your first sketch – congratulations! Your sketchcrawl is already a success, regardless of how accomplished your sketch is, or whether you choose to make any other sketches. Make sure to reward yourself. I like a cappuccino, but hey, whatever works for you. Maybe you could make another sketch while you’re enjoying your coffee.

I wouldn’t look too critically at your sketches at this point – wait until you get home, and you’re more likely to be objective about them. There’s no hard and fast rules about how long your sketchcrawl should last. Once you’re happy that you’ve spent long enough, then go.

When the crawl is over, you might want to have a look your sketches a little more critically. Don’t rp them to shreds obviously, but just think about whether you’d do anything differently , and try to put it into practice on your next trip. The Urban Sketching Manifesto explicitly states –“we share our drawings online’ and this is something I’d encourage you to do after your very first crawl. If you don’t like the response, if any, that you get, then you never have to do it again, but chances are the response that you get will show you that there is honestly nothing to be shy or worried about. Whatever else you do, please don't be tempted to destroy or throw away your sketches. If your first sketch you ever made on a sketchcrawl was as good as you were ever going to make, then there wouldn't be all that much of a point in doing it. Put them away if you want, but you will always be able to look back on them, to measure how far you've come. Remember that these sketches are the start of your journey , not the finish. 

Atfer that , well, ask yourself – did you enjoy it? Hopefully the answer will be yes. In which case maybe you can start planning your next sketchcrawl, or even better, start thinking about joining your nearest group.