Not actually Urban Sketches at all . . .

 If you've recently checked out my sister blog - my main art blog, then you'll probably already know all about this. Still, just in case, what with not being able to get out and about, I'e been making a virtual tour of some of Britain's most beautiful buildings in sketches. Here's what I've done in the last fortnight or so:-

Chester - A3

Durham A4

St. Paul's A4

Tower Bridge A3

Newcastle Tyne Bridge A3

Edinburgh Cityscape A3

Iron Bridge Coalbrookdale A3

Urban Sketch - Steam Locomotive at Port Talbot Parkway

 

This was the 70000 Britannia masquerading as the 70022 Tornado, at Port Talbot Parkway on a special excursion train on Weds 29th July, 2020 

British Illustrators 40: William Hogarth and Gin Lane

To my mind, William Hogarth was quite simply one of the greatest English artists. He’s best known for several series of paintings, such as “The Rake’s Progress”, and for engravings such as this one, “Gin Lane”. Hogarth’s depictions, and implicit moral commentaries upon, the London life he saw around him have given rise to the adjective Hogarthian, descriptive of the immorality of the Georgian era of rakes and harlots.

The engraving I’ve copied, “Gin Lane” is one of Hogarth’s most famous. It’s actually one of a pair he made in 1751, the other being “Beer Street”. Taken together they are a commentary on the evils of gin drinking, compared to beer drinking. In late 17th and early -mid 18th century London huge gin consumption, caused by a variety of factors, was seen as responsible for an array of social problems, as the urban poor sought relief from poverty through the escape offered by cheap gin. In the picture itself we can see the child falling to its death, a victim of starvation, mob violence and homes falling to pieces.

I’ve always loved Hogarth anyway, but about a decade ago, while researching my family history, I found that my great, great, great, great, great grandfather was a cartoonist and engraver called Philip Dawe, who was a pupil of William Hogarth.

This took hours and hours to do, but I thoroughly enjoyed the process.

British Illustrators 39 - Robin Jacques and Gullivers Travels

Robin Jacques, a very prolific British illustrator from the 1940s until his death in the 1990s, was ironically far less well known in the UK than his sister, the actress comedienne Hattie Jacques. To most Brits in their mid 50s and older, she is one of a handful of actors well remembered for a long running series of comedy films called the Carry Ons.

Robin Jacques was self-taught, and in his teens he began working as an artist in the advertising industry. He went on to work as Art editor for magazines, and to teach art, as well as illustrating well over 100 children’s books. His signature style involved a stippling technique, which is highly effective, harking back as it does to almost a Victorian engraving style. I can vouch for the fact that it is exceptionally time consuming, though!

British Illustrators: 38 Dave Gibbons and Watchmen

Together with British writer Alan Moore, Dave Gibbons created what I feel is one of the greatest graphic novels of all time, “Watchmen”, which was later made into a film. Although the film deviated a little in script from the story, visually it was incredibly faithful to Dave Gibbons original illustrations, which pretty much says all you need to know about their effectiveness.

Dave Gibbons first came to prominence working for the seminal British comic of the 70s, 2000 AD. The best known serial of this comic was Judge Dredd, which later became a couple of lacklustre movies. I first came to know his work on the comic strips within the early issues of Doctor Who Magazine. In the early 80s Dave Gibbons went to work for DC Comics, which led to collaborations with fellow Brit Alan Moore, and eventually the masterpiece that is Watchmen.

British Illustrators 37: William Stobbs and Scottish Folk Tales

William Stobbs was a Greenaway Medal winning artist and illustrator throughout the second half of the 20^th century. During the 1950s he was the head of the design department of the London School of Printing and Kindred Trades, and later on became the principal of the Maidstone School of Art.

He won the Greenaway Medal in 1959 and unusually two of his books were cited – an edition of a short story by Chekov (the Russian writer, not the USS Enterprise’s helmsman) called Kashtanka, and a book called A Bundle of Ballads

This is actually a copy of an illustration he made for a book of Scottish Folk Tales, and it just really does it for me. Who wouldn’t want to read a story which has an illustration like this accompanying it?

British Illustrators 36: Charles Keeping

Charles Keeping was another Greenaway Medal winner. Charles Keeping first came to prominence illustrating some of the historical novels of Rosemary Sutcliff. He actually won two Greenaway Medals, one for his own story, “Charley, Charlotte and the Golden Canary”, and one for his illustrated edition of Alfred Noyes’ poem “The Highwayman”.

Keeping served in the Royal Navy during World War II, having joined at the age of 18. After the war he studied Art part time and then full time, and from the 50s until his death in 1988 he worked for many outlets, including Punch. In 1956 he was commissioned to illustrate Rosemary Sutcliff’s “The Silver Branch”. His success saw him commissioned to illustrate others of Sutcliff’s novels and also those of Henry Treece and others.

I’ve chosen to copy an illustration Keeping made for an edition of “The Jungle Book”. The most complicated parts were the trees and foliage in the background. Two different graphite pencils – a 6B for lighter shading and a 2B for darker shading – really gave this texture – it looked nothing like as good with just the ink marks.