I felt very
pleased with myself, having done slightly more than two thirds of the District
Line in just two trips, and was quite looking forward to riding a stretch of
line that I’d never ridden on before. I parked fairly close to Boston Manor
station, then changed at Hammersmith, which is my usual way of catching the
District eastwards.
Bow Road
station opened in 1902, and I fancy that the station is the original 1902
building. It’s been grade II listed since the early 70s, apparently, and that
seems very erly compared to most listed stations which were listed since the
start of the 80s. I find it interesting that this station would be listed,
since although it’s of a perfectly pleasing appearance, it’s not the sort of
station which makes you step back and admire it, in the way that, say, Baron’s
Court does. As a piece of tube trivia, the station is just before a tunnel
which trains from Upminster enter. The gradient down into the tunnel is
supposed to be the steepest anywhere on the network, although certainly coming
eastwards from Mile End I can’t say that I noticed anything out of the
ordinary. My ears did pop, but then they always do that when I’m on a
Piccadilly Line train coming out of the tunnel between Earl’s Court and Baron’s
Court.
Bromley by Bow has a small but not
totally insignificant part in my family history. My Mum’s maiden name was
Joyce, and it was her great grandfather, George Joyce, who first moved to
London. George was an interesting character, just going by what 19th
century census returns told me. In 1851 he was a young boy, living with his
parents in the Berkshire village of Chilton Foliat where his father John was
the village blacksmith. I don’t know how or where George received his
education, but by 1871 he was a clerk living in Reading. By 1871 he was the
headmaster of the village school in Fernhurst Sussex. 30 years later he was a
shipping clerk, and living in Bromley by Bow, before making his final move to
Ealing, where the family stayed for a couple of generations, and where I actually
grew up. As for the station, well, even though the original District Railway
station was opened in 1902 while he was there, I somehow doubt that George
would ever have seen the one that’s there now. It looks like a typically blocky
60s/70s half hearted effort, about which the less said is probably better.
It was only really
for a couple of years that West Ham station was actually the closest
station to West Ham Football Club, for the Boleyn Ground is actually closer to
Upton Park station, and their present stadium, the former Olympic stadium, is
much closer to Stratford. Again it’s a station whose modern ticket hall
entrance, dating back to about 1999, doesn’t do a great deal for me, but at
least is nowhere near as depressing as those from 30 years earlier. But, I
don’t know, I just can’t get excited about station entrances which look like
shopping malls
This is not
an accusation you could make about Plaistow station. This is a big,
impressive hunk of Edwardian architecture. I was surprised by the height of it
– so far the older District Line stations have consisted of just the one fairly
level floor at street level. Plaistow is far more imposing than the usual, and
the ornamental brick arches and lines, and the cornices, prevent impressive from
becoming oppressive. I also like the ornamental flower beds outside. I don’t
really know what I was expecting on this eastward stretch of the line, but I
suppose I was expecting a urn of stations like Bow Road, or maybe 1970s
replacements.
It was all change again for the station
at Upton Park. Although not that very much, since it was constructed at
the same time as Plaistow had been. This is a different slice of Edwardiana,
though. It’s shorter yet longer, with its roofline boasting a pleasingly symmetrical
set of gables. In a way these remind me of parts of the Hanwell and West Ealing
sections of the Uxbridge Road in Ealing while I was growing up. So I’m told the
station name has, at times, been used to indicate someone who is not quite the
full shilling, as my Nan used to say – Upton Park, as in two stops short of
Barking (mad). I was very tempted at this point to stop for a small celebration
since this was actually the 100th station I’ve visited since I’ve
started the challenge. I’d already sketched more than a third of all the
current stations on the London Underground, and I hadn’t even realised it.
Mind you, I
mentally pulled myself up as I realised that this still left me 170 stations to
go. This soon became 169 though. Station 101, East Ham was surely built
and designed at the same time and by the same architect as station 100, Upton
Park, since, to my admittedly untrained eye, it appeared extremely similar. Not
that I was complaining. This combination of red brick and yellow London bricks
is something I find extremely familiar from my childhood, and it speaks to me
of my primary school in Hanwell in particular. I haven’t mentioned this
earlier, but since Aldgate East we’ve been sharing with the Hammersmith and
City Line. That’s a grand total of 11 stations, which is 11 fewer stations we
have to do when we come to that line, which can’t be bad.
The end of the line for the Hammersmith
and City is the next station I visited on this District Line trip, Barking.
Barking looks important, as befits a station which is the end of one
Underground Line, and an interchange with both the London Overground and
national rail. Important, yes, but not exactly attractive, with its uptilted
apron overhanging the entrance, dating back to the early 1960s. The famous
Nicholas Pevsner rather liked it and called it one of the very best of modern
stations. I’m not entirely sure that, from this distance, almost 60 years
later, I totally agree with him. It’s certainly not ugly, but calling it one of
the best stations from the 50s and 60s isn’t necessarily that much of a
compliment considering the poor nature of the competition.
It’s the District Line and nothing but
the District Line from here until we reach the end of the line at Upminster.
The next station, Upney, was a little bit of a disappointment. At first
glance as I left the building I wondered if it was another lacklustre 50s/60s
creation. A few more minutes looking convinced me that this actually was more
likely to date back to the 30s, the roofline above the station sign being a bit
of a clincher, along with the dark brown brickwork. Subsequent research showed
that I was right about that. It’s not ugly, but when you compare it with the
stations Holden and contemporaries were designing for the Piccadilly line at
about the same time, it seems to be a very lacklustre effort.
I wasn’t able to
discover for certain who was the architect of Upney, but bearing in mind the
similarity of the next station, Becontree, I wouldn’t be surprised if it
was designed by the same architect, William Henry Hamlyn, who was also the
chief architect for the London, Midland and Scottish Railway. Despite their
similarity, I rather liked Becontree a little more than Upney. Maybe this was
just because the sun had come out briefly as I emerged from the station, and
maybe it was because I stopped for a mini pork pie, which usually guarantees an
improvement in my mood. 9 stations done, and only 6 more to go, I was quite a
happy bunny.
Dagenham Heathway was
built at the same time as the previous two stations, it was a bit different,
and if anything this little station is, I’m afraid, rather more nondescript.
This might well be because when it originally opened it was on the LMS –
London, Midland and Scottish Railway, which was one of the big four railways
from the late 20s until nationalisation of the railways in the late 40s.
Research says that the station buildings were renovated during the noughties,
but it’s difficult to imagine that much of this can have involved the exterior,
since it’s so bland and featureless. It’s a classic example of a whythe’ell
station, as in whythe’ell is ‘e taking a photo of that station. I haven’t
actually heard anyone saying this, but I’ve had a few looks which were just as
eloquent as the actual words. As a rule, nobody looks askance at anyone
brandishing a camera at anything in Central London, but when you get to the
outlying areas, unless the station is an obviously striking building it’s not
uncommon for you to get funny looks. I mean, why one Earth would anyone ever
want to photograph a station like Ickenham, for example, a prime example of a
whythe’ell if ever I saw one.
Although
Although
I have to admit that when I was coming
towards the end of the Piccadilly Line, when I got within half a dozen stations
of Cockfosters I was beginning to feel a bit of tube fatigue, that is, a
nagging desire to rush through to the end of the line and just get it over
with. In retrospect, it was only for the last 4 Piccadilly sections, after I’d
finished walking between Turnpike Lane and Bounds Green. Well, tube fatigue
really started to strike as we approached Dagenham East. This was maybe
a little unfair to the station itself, considering that it’s pretty similar to
Upney and Becontree. But that just exacerbated the feeling, I suppose.
Familiarity breeds contempt, and déjà vu was setting in quite badly, with the
thought that there were still 4 stations to go, and for all I knew they might
be just more of the same. There was plenty of daylight time left, so the only
thing that could possibly stop me from finishing the District Line on this trip
was a case of the soddits.
Thankfully, Elm Park was just
different enough to keep me interested. In some ways the station reminded me a
little bit of Boston Manor, which is one of my sentimental favourites, only
without that station’s distinctive tower. The look is distinctly art deco, and
the station was opened in 1935. It scores over the previous few for me because
of the semi circular ends of the apron extending out from the flat roof. I
think it’s this, and the later safety railings which particularly remind me of
Boston Manor.
The day clouded over somewhat as I returned to the platform to take the next train to Hornchurch. This station was, I’m afraid, an almost soddit-inducing Upney identikit, although it does bost the saving grace of not having the window grilles on the left of the entrance covered up, as they are on the previous stations of this sort. Looking at these highly similar District line stations just makes my admiration for Charles Holden’s work all the greater, since although many of them have obvious similarities, they are all at least subtly different. Well, all of the ones I’ve visited so far. Atleast, by this stage there were only two stations left, and there was no way that I was going to cut this trip short now, which would only mean I’d have to trek out all this way again just for two stations.
Upminster Bridge, penultimate
station on the District line, is not exactly a pretty sight. However it is,
thankfully, an interesting one. Like the previous few stations, this was
originally built and operated by the LMS, which may be the reason for the
almost identical design of some of them. However, this is different. For one
thing, it has a large structure rising up behind the entrance, in the way that
many Charles Holden stations have ticket halls which rise behind the entrance.
Mind you, there the similarity ends. This one is blocky, and could desperately
do with some glazed screens. Still, at least it’s different from a lot of what
we’ve seen on this trip and so at least has novelty value. I would imagine that
maybe the station, with the façade having the station entrance balanced by the
two shop buildings, this maybe looks quite appealing when the sun shines. When
the clouds are threatening a soaking though, as they were when I visited, the
place looks miserable, and rather unloved.
Upminster came as a complete
surprise. It looks as I’d expect a late Victorian national railway station in a
fairly prosperous market town would look. Yet research tells me that the
entrance and ticket hall at least were another LMS building opened in 1932.
Maybe this building incorporated parts of, or added to the Victorian station
from 1885 – my rather sketchy research source wasn’t very specific. I could
tell you that I allowed myself a certain amount of satisfaction that I’d now
completed all of the stations on both Piccadilly and District Lines, the two
lines with the most stations, but in all honesty I was exhausted, and didn’t
even want to think about stations until I left the next train at Hammersmith on
the way back.
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A couple of
days later, though, I did start to reflect on what I’d done, and what I had
left to do. The District line has 60 stations, and the Piccadilly Line 53.
Granted, a number of them are on both so were only sketched once, but even so
I’d made significant inroads to the challenge. My plan was to work my way
through the lines with the most stations first. Logically this suggested that I
should tackle the Northern Line next, since it had the next highest number of
stations with 50. However, the fact was that the Central line only had one
fewer station with 49. With the Northern Line I knew that south of the Thames
at least, we had a good run of interesting stations. With the Central line, I
couldn’t be at all certain. So it might be a good thing to tackle the Central
now, while I still had heart for the challenge, and while tube fatigue wasn’t
setting in until I got to the end of each line. Also, the Central was one of my
‘home’ lines, with the shorter Western arm ending at Ealing Broadway. Good
enough, Central Line it would be.
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